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Home»Uncategorized»The Clear Knife
Uncategorized

The Clear Knife

adminBy adminJune 22, 2012Updated:August 26, 2022No Comments2 Mins Read
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By Allison Grayhurst:

Beside the stone, the angry

digger digs and the rain water

is hard water with the horror

of errors felt in the difficult night.

The painting is received, gloomy

with a sharp edge. In the next little while

there will be no inventory,

and aims will be collected,

to be left on the sidewalk for whoever

to pick up. In the serenity found with surrender,

and in the intense miracle, I pull

out my belonging and leave it there

in the thunder,

unharmed.

At the end of this season

the power of acceptance

will mount and the birds

will lift their wings up and over

the Earth. There will be no pattern, no regression.

Homes will grow like

happy flowers and each soul

will be in a stable balance.

Tenderness will govern activity

at the end

when the counting of days

is dropped.

###

About Allison

Allison lives in Toronto with her husband, two children, two cats, and a dog. Apart from writing poetry, she loves to sculpt – working with clay.

Over the past twenty years my poems have been published in journals throughout the United States, Canada, Australia, and in the United Kingdom, including The Antigonish Review, Dalhousie Review, The New Quarterly, Wascana Review, Poetry Nottingham International, The Cape Rock, Journal of Contemporary Anglo-Scandinavian Poetry, and White Wall Review.  Her work was also included in the Insomniac Press anthology Written In The Skin , while her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995.

On 3rd Feb 2012, one of her poems was read in New York’s Orchard House Café as part of a Parabola Magazine reading. Other recent places where her work has appeared includes, the current printed issue of Parabola: Alone and Together, Parabola, poetrymagazine.com; Fogged Clarity, Out of Our, Quantum Poetry Magazine, Decanto, Indigo Rising and Message in a Bottle

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